{"id":11678,"date":"2026-10-16T18:57:18","date_gmt":"2026-10-16T18:57:18","guid":{"rendered":"https:\/\/fundacioferrermusica.org\/?p=11678"},"modified":"2026-10-16T19:21:43","modified_gmt":"2026-10-16T19:21:43","slug":"asi-fue-el-estreno-de-remanence","status":"publish","type":"post","link":"https:\/\/fundacioferrermusica.org\/es\/asi-fue-el-estreno-de-remanence\/","title":{"rendered":"As\u00ed fue el estreno de ‘R\u00e9manence’"},"content":{"rendered":"\t\t
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As\u00ed fue el estreno de R\u00e9manence <\/i><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La obra de Luis Tabuenca, ganadora del XLIII Premio Reina Sof\u00eda de Composici\u00f3n Musical, protagoniz\u00f3 una velada de reconocimiento a la creaci\u00f3n musical contempor\u00e1nea en el Teatro Monumental de Madrid, con la presencia de Su Majestad la Reina Sof\u00eda.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Poco antes de las 19h30, el Teatro Monumental de Madrid ya estaba lleno. Sobre el escenario, la Orquesta Sinf\u00f3nica RTVE esperaba la entrada del director, Thomas Herzog. En unos minutos comenzar\u00eda una noche especial: por primera vez, R\u00e9manence<\/em>, la obra con la que Luis Tabuenca ha ganado el XLIII Premio Reina Sof\u00eda de Composici\u00f3n Musical, iba a ser interpretada ante el p\u00fablico.<\/p>

Durante cerca de quince minutos, la orquesta recorri\u00f3 una partitura que Tabuenca ha trabajado a lo largo de tres a\u00f1os. Una obra construida a partir de la idea de la huella<\/strong>: aquello que permanece en la memoria cuando la m\u00fasica ya ha dejado de sonar y aquello que queda en el cuerpo de quien la interpreta.<\/p>

Una noche junto a la Reina Sof\u00eda<\/strong><\/span><\/p>

Tras la interpretaci\u00f3n y el aplauso entusiasta del p\u00fablico, el presidente de la Fundaci\u00f3 Ferrer de M\u00fasica, Sergi Ferrer-Salat, subi\u00f3 al escenario para compartir unas palabras. En su discurso, defendi\u00f3 el poder de la m\u00fasica frente al mundo convulso en el que vivimos, un mundo atravesado por una concentraci\u00f3n de la riqueza inmoral y por una crisis sist\u00e9mica que se refleja en todo \u00e1mbito social, hoy especialmente en la crisis de la vivienda. Precisamente en este mundo, Ferrer-Salat subray\u00f3 que la m\u00fasica es m\u00e1s necesaria e imprescindible que nunca, porque contribuye a la cohesi\u00f3n social y nos da la esperanza de que un mundo mejor es posible. Y cerr\u00f3 su intervenci\u00f3n reafirmando el compromiso de la Fundaci\u00f3n: \u00abNosotros vamos a seguir incondicionalmente entregados, de manera apasionada, a esta labor milagrosa\u00bb.<\/p>

A continuaci\u00f3n, Su Majestad la Reina Do\u00f1a Sof\u00eda, fiel un a\u00f1o m\u00e1s a esta cita, hizo entrega del diploma a Luis Tabuenca, quien lo recibi\u00f3 entre sonrisas y aplausos y pos\u00f3 junto a Su Majestad la Reina, la orquesta y el director.<\/p>

La huella de lo que permanece<\/strong><\/span><\/p>

En R\u00e9manence<\/em>, Tabuenca parte de una peque\u00f1a \u201cruina sonora\u201d que se transforma a lo largo de toda la pieza. La inspiraci\u00f3n est\u00e1 en el palimpsesto, ese manuscrito que conserva las marcas de textos que fueron borrados: una imagen que el compositor traslada a la m\u00fasica para explorar lo que queda, lo que se transforma y lo que reaparece.<\/p>

A lo largo de un \u00fanico movimiento<\/strong>, la obra recorre las posibilidades t\u00edmbricas de las distintas familias de la orquesta y construye, capa a capa, un paisaje sonoro en constante transformaci\u00f3n.<\/p>

La pieza que lleg\u00f3 al escenario del Monumental es el resultado de un proceso de creaci\u00f3n que inicialmente iba a ser mucho m\u00e1s amplio. El proyecto comenz\u00f3 con la idea de incorporar coro y narrador, pero acab\u00f3 destil\u00e1ndose hasta convertirse en la obra que se escuch\u00f3 esta noche: un \u00fanico movimiento de unos quince minutos.<\/p>

El jurado del XLIII Premio Reina Sof\u00eda de Composici\u00f3n Musical la escogi\u00f3 entre cerca de 80 obras presentadas<\/strong>, destacando la claridad de su discurso y su riqueza gestual.<\/p>

Y R\u00e9manence<\/em> tampoco termina con su estreno. La obra pasar\u00e1 a formar parte del repertorio de la JONDE<\/strong> y viajar\u00e1 por distintos escenarios del territorio nacional durante 2027.<\/p>

Para Tabuenca, ese recorrido tendr\u00e1 adem\u00e1s un significado especial. Antes de convertirse en compositor premiado, form\u00f3 parte de la JONDE como percusionista. Ahora regresa a la orquesta desde otro lugar: su m\u00fasica ser\u00e1 interpretada por una nueva generaci\u00f3n de m\u00fasicos y m\u00fasicas.<\/p>

La vida de R\u00e9manence<\/em> acaba de comenzar.<\/p>

Un premio que sigue creciendo<\/strong><\/span><\/p>

El Premio Reina Sof\u00eda de Composici\u00f3n Musical, dotado actualmente con 100.000 euros, es el premio de composici\u00f3n musical mejor dotado de Europa en su categor\u00eda. Pero su futuro apunta todav\u00eda m\u00e1s lejos.<\/p>

La pr\u00f3xima edici\u00f3n incorporar\u00e1 tres premios y una dotaci\u00f3n total de 175.000 euros<\/strong>. La convocatoria<\/strong> permanecer\u00e1 abierta hasta el 15 de enero de 2027<\/strong>, con el objetivo de seguir apoyando la creaci\u00f3n musical y dar visibilidad a un mayor n\u00famero de compositores y compositoras.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As\u00ed fue el estreno de R\u00e9manence La obra de Luis Tabuenca, ganadora del XLIII Premio Reina Sof\u00eda de Composici\u00f3n Musical, protagoniz\u00f3 una velada de reconocimiento a la creaci\u00f3n musical contempor\u00e1nea en el Teatro Monumental de Madrid, con la presencia de Su Majestad la Reina Sof\u00eda. Poco antes de las 19h30, el Teatro Monumental de Madrid […]<\/p>\n","protected":false},"author":5,"featured_media":11704,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[38,26],"tags":[],"class_list":["post-11678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-excelencia-musical","category-noticies-es"],"yoast_head":"\nAs\u00ed fue el estreno de 'R\u00e9manence' - Fundaci\u00f3 Ferrer de M\u00fasica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fundacioferrermusica.org\/es\/asi-fue-el-estreno-de-remanence\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"As\u00ed fue el estreno de 'R\u00e9manence' - Fundaci\u00f3 Ferrer de M\u00fasica\" \/>\n<meta property=\"og:description\" content=\"As\u00ed fue el estreno de R\u00e9manence La obra de Luis Tabuenca, ganadora del XLIII Premio Reina Sof\u00eda de Composici\u00f3n Musical, protagoniz\u00f3 una velada de reconocimiento a la creaci\u00f3n musical contempor\u00e1nea en el Teatro Monumental de Madrid, con la presencia de Su Majestad la Reina Sof\u00eda. 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